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Second Nature, vessel, 2024

A woman of two minds. She likes red heels and green loafers, loves all of God's creatures. At times she is sullen, pouting. She likes a cigarette or two. 

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Picture Emphasizing Stillness Jacket

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The piece I love the most from the Hockney book is one of two men standing facing each other. One has on a pair of bell bottoms with legs that are two different colors, and a hand extended out in front of him; the lines of his form are thin but strong, and you like him even though he’s a bit misshapen. The second figure has his back to the viewer, and he also has his hand extended, and you see they are in mid-reach to shake each other’s hand, but then again, maybe the figure on the right will unfold his left arm and they will embrace like dear friends sometimes do. The figure with his back to you doesn’t have on any clothes at all, and his butt is beautiful: full, pale, with deep suntan lines at the top of his thighs like maybe he has a pool and he wears very short swim trunks or maybe even a speedo when he swims laps. His back looks strong, and so do his legs, and his feet fade down to thin little points that disappear into the ground beneath him, so he really doesn’t have feet at all. The title of this work is Picture Emphasizing Stillness.

Behind them, to your right is a big red house, though it seems very small because it is far away. The windows are my favorite part— some are small and white like Chiclets, others are a blue color and look sideways like some sort of trick door. I think the home must belong to the man without clothes on, because he is very confident about all of this nudity and if I am being honest, I am really uncomfortable being undressed anywhere except my own house.

The naked man in Hockney’s sketch is neither old nor wrinkled— instead he seems shiny, new, gleaming like a fresh-waxed sports car. 

Above both men, in the far right corner, is a leaping blur of a figure. My first thought was a snow leopard, because it is a white-ish pink, with purple-black spots. It appears to mid-pounce upon the docile scene below, and it is enormous in comparison, even to the house. Close your eyes, just for a second. Imagine you are at home, in your front yard, perhaps tending to the lawn, or checking the mail, or greeting a friend who has come by for a visit. Say the friend is actually a lover, one you haven’t seen for a year or two, and your heart is beating very fast at the sight of them. And all the while, or maybe in just a flash of a second, a sleek, heavy body is bearing down on you, coming so fast that your lover only has time to open his mouth in disbelief, and then the big cat is upon you both.

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